edge of water / the end - Sam Reynolds

[ti:Frank Morris]
[ar:Capital Lights]
[al:This Is An Outrage!]
[by: ]
[00:02.00]Capital Lights - Frank Morris
[00:05.00]LRC by lzh ,from jiangxi pingxiang
[00:08.00]@  @
[00:10.00]
[00:10.70]Seven months in the making,
[00:14.98]making only organized crime.
[00:17.00]We'll be masterminds if our dreams will reach the shore.
[00:22.99]Another turning point in time,
[00:24.58]tonight when the lights go out.
[00:26.80]Shot gun freedom's what they say I'm about.
[00:29.76]What I'm about won't matter
[00:31.69]when I walk out the door.
[00:35.50]Familiar faces put on dolls,
[00:38.09]fashion raincoats and metals.
[00:41.10]When that evening's ending,
[00:43.53]I'm still standing tall,
[00:46.93]surrounded by these loophole walls.
[00:50.04]Any minute I'm beginning, taking time until I run.
[00:55.85]Once we're gone,
[00:59.17]at the sight of the lights out.
[01:01.89]Nightfall shades the sun.
[01:04.03]We're put together, said, and done.
[01:06.61]Oh, oh, ohh. Oh, oh, oh.
[01:10.67]Seven months left,
[01:13.27]they're breaking,
[01:14.65]breaking only rules that apply
[01:17.58]in this prison label,
[01:19.29]unable to abort.
[01:22.60]A reputation redefined,
[01:24.34]tonight in the darkest hour.
[01:26.71]When the three of us go missing,
[01:27.95]one is missing out.
[01:29.60]Taking little time to a job that needed more.
[01:35.00]Familiar faces put on dolls,
[01:37.95]fashion raincoats and metals.
[01:41.02]When that evening's ending,
[01:43.44]I'm still standing tall,
[01:47.05]surrounded by these loophole walls.
[01:50.04]Any minute I'm beginning,
[01:52.04]taking time until I run.
[01:55.89]Once we're gone,
[01:59.20]at the sight of the lights out,
[02:01.29]Nightfall shades the sun.
[02:03.04]We're put together, said, and done.
[02:07.10]Oh, oh, ohh. Oh, oh, oh.
[02:11.34]Lights out now, it's half past nine.
[02:14.57]Up the thirty foot corridor, three men climb.
[02:17.80]Shouldda been four, but one man's left behind.
[02:22.90]Crawl from the rooftop down to the northern end,
[02:26.43]through the thickest fog to the water's edge.
[02:29.52]For the thrilling ride, to be never seen again.
[02:35.00]Whistles blow in the morning at the sight of the break.
[02:38.84]Three empty cells with only decoy faces,
[02:41.51]of the ones now known to the other side of the bay.
[02:46.70]Victims lost and drowned, or so they say.
[02:50.37]Only prison dead, but the deadliest way for you to keep your life is let it seem to slip away.
[02:58.93]Familiar faces put on dolls,
[03:02.07]fashion raincoats and metals.
[03:05.15]When that evening's ending,
[03:07.29]I'm still standing tall,
[03:11.24]surrounded by these loophole walls.
[03:14.50]From beginning to the ending, taking time,
[03:16.74]I'm on the run.
[03:19.92]Now we're gone,
[03:23.10]at the sight of the lights out,
[03:25.65]Nightfall shades the sun.
[03:27.90]We're put together, said, and done.
[03:31.02]Oh, oh, ohh. Oh, oh, oh.
[03:32.82]Ohhhhh, ohhhh. Ohhhhh, ohhhh.
[03:58.51]Once and for all, surrender for the broke down walls.
[04:05.50]I can't think that I'm enough for the pleasure of growing old.
[04:10.94]We'll move on in a long-lived story that everyone will know.
[04:19.00]But the ending's left untold.
[04:22.44]But the ending's left untold.
[04:27.11]But the ending's left untold.
[04:30.68]But the ending's left untold.
[04:36.44]But the ending's left untold.
[04:39.60]But the ending's left untold.
[04:44.24]